http://yinyunya.com/stories daily 1.0 2026-04-02 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1454776201413-GAZJZGKMS5DRUIDDK8XX/2M2A9096s.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1454776201413-GAZJZGKMS5DRUIDDK8XX/2M2A9096s.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1755932883129-GPQ94SKPWWST2U810A9G/IMG_6044.JPG Home - Yunya Yin in Tsinghua University Art Museum, China. 22 Aug 2025 – 28 Oct 2025. Yunya Yin exhibit as part of the Exhibition THE NATURAL CONTRACT:Technology,Media,Human,Nature https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1677568769340-KHJAHYXIPSI0GD82MT82/B0005089s.jpg Home - EXHIBITION   |  BETWEEN THE TIDES, Yunya Yin, Chengdu Contemporary Image Museum, Jinfu Road, Middle Ring Road, Jinniu District, Chengdu,25.Feb-09.April Yunya Yin’s solo show in Sichuan at Contemporary Image Museum unveils several New Multiple Media artworks. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658251295159-32PHQ6C0MWHOA4IR767U/B0005357.JPG Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449186860475-3U1PXKQYKUSJ2XK6XGCZ/12.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658251695179-F4E0KWLMO73FJK9MDHL1/B0005179ss.jpg Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1670225684673-0TWQNETTOKFSS7FPXP7X/WechatIMG79.png Home - EXHIBITION   | EXTREME: Masterpiece ,Chengdu art Museum, NO.388 Jinniuba Rd, Chengdu, 18 Nov– 30 Nov 2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1704176445409-7AH1EWB4D2F4QHYKN7J7/5b43d95a511c86405fa2fa614c56112d.JPG Home - EXHIBITION   |  Yunya Yin's work SHELTER is Exhibiting On Chengdu Photography Festival at Chengdu Contemporary Art Museum,Chengdu,31.Dec,2023-15.March,2024 The Work Shelter(Shell) is an Interactive installation which encourage audience stepping on the shells and crush them, to feel the fragility of “shelters” https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684069605699-BV3TIP8IC3W07JDBZO26/2Q5A3015.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1670225684673-0TWQNETTOKFSS7FPXP7X/WechatIMG79.png Home - EXHIBITION   | EXTREME: Masterpiece ,Chengdu art Museum, NO.388 Jinniuba Rd, Chengdu, 18 Nov– 30 Nov 2022 (Copy) https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1704177342683-R6LXZUW9MGS5Y745S0MV/DSCF8208s.jpg Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1704177342160-KL4N7U7GKIL49T7NBYXO/DSCF8259s.jpg Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1748589168831-IKD9XCBSYAHGKQXRENXU/IMG_5479.JPG Home - Yunya Yin in Shanghart, Beijing, China, 20 May 2025 – 29 June 2025. Yunya Yin exhibit as part of the Exhibition Lie Between. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1733417303170-KS8WYWCMEDK231DYW03W/IMG_4438.JPG Home - Yunya Yin in Zhoushan Art Museum Opening Exhibition , Zhoushan, China. 07 Dec 2024 – 24 Aug 2025. Yunya Yin exhibit as part of the Exhibition Sailng Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326561151-AW6WNVY9FADIN5PEPUL5/IMG_0655.JPG Home - Yunya Yin in ASE Foundation, Shanghai, China 06 Nov 2024 – 28 Feb 2025 Yunya Yin will exhibit as part of the Exhibition Words For the Future. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326453134-2N9WXR956HY91TW65ZK8/The+Meditations+Youth+Archives_07.png Home - Yunya Yin in 2nd Wuhan Biennale Wuhan Art Museum, Wuhan, China 1 October 2024 – 31 May 2025 Yunya Yin will exhibit as part of the 2nd Wuhan Biennale. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326606099-I26N72KPSKL9K4ER108G/IMG_0613.GIF Home - Yunya Yin in Westboud Art&Design, Shanghai, China. 07 Nov 2024 – 10 Nov. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326817099-5L3J6T0JKVI496RYDGEN/The+Meditations+Youth+Archives_07.png Home - Yunya Yin in ParisPhoto, Paris, France. 05 Nov 2024 – 10 Nov. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1717164954789-U5Q8N1ARW6J5E2C279XT/%E5%B1%95%E5%8E%851.jpg Home Yunya Yin’s solo exhibition "Untied Boat" is Currently showing in Beijing at Three shadows +3 Gallery unveils several New conceptual artworks. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1715018184595-OOXCXXXO4O0SKX6CD1MB/36044ddb2bd59bf0ccc744e94fa01749.JPG Home Yunya Yin’s solo show in Beijing at Three shadows +3 Gallery unveils several New conceptual artworks. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326790940-8YQEY31COROE6R6IGI9T/%E6%88%AA%E5%B1%8F2024-10-31+06.19.09.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1730326681290-F0065M2KZ36P1OVVOAQ2/06.jpg Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1767457734301-OVN23A2NI54OQX5BM9W8/78cb176801df88622161432c22c5211e.jpg Home Yunya Yin exhibit as part of the Exhibition When the Wind Turns East, Riyadh, Saudi Arabia,2025-2026 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1770651832908-JZ1WRXAHLIC0XTSL6WF0/%E6%88%AA%E5%B1%8F2026-02-09+23.43.30.png Home The two works Reflection on the Future and Longing for the Past were presented at the Chengdu Biennale, they are further extension of the artist’s Shell series at the level of material language. This body of work approaches material as a readable linguistic system, placing the physical properties of objects in dialogue with the symbolic meanings they carry. In contemporary society, the boundaries between people become ever more defined and fortified. The artist transfers portrait images onto the surface of seashells through the emulsion lift, embedding the image within a specific material substrate rather than allowing it to function solely as a medium of representation. Here, the shell operates simultaneously as the physical support of the image and as a metaphorical “spiritual оболous” — a protective yet fragile enclosure that signifies shelter, intimacy, vulnerability, and preciousness, while also alluding to the psychological and existential barriers that separate individuals. I try to nderstanding of the self by understanding the shells: how might we, between the surface of material things and their inner resonance, reconsider the relational structures and modes of existence through which we inhabit the world? https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1770651480942-BE196FY43HJISRLG2OE8/IMG_0055.GIF Home - Yunya Yin in the Exhibition of Chengdu Biennale Pulse of Life, 08.02- 23.08.2026.Chengdu,China. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1770651896736-NLUHZX5Z53569YYHU347/%E6%88%AA%E5%B1%8F2026-02-09+23.44.33.png Home https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1770577501584-O63N77NIAPOX6KI7TQGG/154296_cover.jpg Home - Yunya Yin exhibit as part of the Exhibition Low-Density Drift at ShanghART SUHE, Shanghai. 01.16, 2026 - 02.28, 2026 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1772989795810-GQGREJ1JPJ2VACB6842F/22ce2fce7e334e4ead8ffd3a022fe1b6.JPG Home Work‘Acclimation’,Photography,120cm(H)*160cm,2022 at the exhibition “Echoes of Her Century – A global Exhibition of Women’s Art,” curated by Wang Wei. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1764939049646-4Y636AK1OPGUGUAPRV8Y/60C014FD-A88D-4F56-9BF3-43110BF31D60.JPG Home Yin Yunya in the Group Exhibition:The Rambles of a Wandering Adaptist——Ping An Art Exhibition & ShanghART Thirty-Year Group Exhibition Ping An Financial Center 116th floor, Shenzhen.Date: 12.02, 2025 - 03.29, 2026 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1764929253970-MU6S0V4US1NO4H42UM0U/153341_cover.jpg Home Yin Yunya in the Group Exhibition:The Rambles of a Wandering Adaptist——Ping An Art Exhibition & ShanghART Thirty-Year Group Exhibition Ping An Financial Center 116th floor, Shenzhen.Date: 12.02, 2025 - 03.29, 2026 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1763993337351-F48ZFSP1GLL5GZB3L9YU/%E5%B1%95%E8%A7%88.jpeg Home - Yin Yunya in Jimei Art Centre, China. 29 Nov 2025 – 04 Jan 2026. Yunya Yin exhibit as part of the Exhibition Chinese Photography,20th Century and beyond https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1755933717524-HXTX5LZA9QQJVCNPFKF4/%E5%BA%87%E6%8A%A4%E6%89%80+%E6%B8%85%E5%8D%8E%E7%8E%B0%E5%9C%BA.jpg Home - SHELTERI:Shells mirror Interactive Installtion, Dimensions variable,2021 . The concept of shelter, in its broad and pluralistic sense, serves as a creative motif that captivates artists, and the seashell inherently embodies such a natural form of refuge. This exhibition invites the audience to step on and crumble the shells, thereby experiencing the fragility of protective structures and the assertion of self-agency in the act of destruction. Through tangible interaction, visitors will engage with the tactile sensation of fragmentation, the auditory resonance of breakage, and ultimately contemplate the vulnerability of protective shells—that is, the delicate nature of sanctuary itself. http://yinyunya.com/the-timeless-trans-siberian-railway daily 0.75 2024-10-07 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449617402895-33Y8GE9VXQ2643O3BIPR/k3148.png The timeless Trans-Siberian Railway In the summer of 2015 I took a journey on the Trans-Siberian Railway. The train took 126 hours starting in Beijing, going through Siberia and finally ending in Moscow. For a long time Russia has used the district of Siberia as a place of exile for criminals and political prisoners, due to its abominable natural conditions. I defined my experience as a “timeless journey”, attributing an unregulated feel to my images： The work consists of nature, architecture, landscapes, and people. It is not a travel diary, it is not related to any social issues. The project explores the relationship between time and space, humans and their environments. My photographs are not aim to represents what the Trans-Siberian Railway is, but rather they illustrate my own individual as a East Asian who‘s perceptions of this historical route. Those pictures do not conform to a clear and strict narrative. Similar to a imagination or memories state I provide the viewer with scattered fragments, giving them the possibility to try and make sense of those “opened” images in their own way. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449617402895-33Y8GE9VXQ2643O3BIPR/k3148.png The timeless Trans-Siberian Railway In the summer of 2015 I took a journey on the Trans-Siberian Railway. The train took 126 hours starting in Beijing, going through Siberia and finally ending in Moscow. For a long time Russia has used the district of Siberia as a place of exile for criminals and political prisoners, due to its abominable natural conditions. I defined my experience as a “timeless journey”, attributing an unregulated feel to my images： The work consists of nature, architecture, landscapes, and people. It is not a travel diary, it is not related to any social issues. The project explores the relationship between time and space, humans and their environments. My photographs are not aim to represents what the Trans-Siberian Railway is, but rather they illustrate my own individual as a East Asian who‘s perceptions of this historical route. Those pictures do not conform to a clear and strict narrative. Similar to a imagination or memories state I provide the viewer with scattered fragments, giving them the possibility to try and make sense of those “opened” images in their own way. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449602386808-6BGWCGTI648MNWV0FF4W/k3142.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601352262-5QXMYVFM056SEO3CWSVF/k3226.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601459758-260RLSHL83LIY9Q6S1VY/2M2A0124.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449617456045-I36G07KD8JY1P39EJMYR/k3179s.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1450554114707-LJLQ57JPYF6EHG56PUJV/k3244p.jpg The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601287546-HUQDXK09C54S4YO2RUQW/k3169.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1450554187926-KS1H0RO7JR5508BNEHL8/k3164b.jpg The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601039921-3H4MICASNX8Z6WUAS4LP/2M2A2130.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601256832-ZZDT1KGKKH42C8U73FEC/k3153.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601106896-HVY3MWBKTTHIL4YOIXCN/k3140ps.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1450554392125-LTWJ5UWG6TUPERDK043M/k3185.jpg The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449602389538-QO8VMNQSWVD0RY1LIJXF/2M2A2486.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601423244-B1RFTAX83QCU4R9T2L9M/k32261.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601390387-7EGDHHW811NNBWVXYU37/k3247.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601315128-JUK6IEUBDADS6GQJFN7E/k3214.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1453427884223-5X6UCH8NB47JDLHW2JS2/2M2A0133.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601080650-TE9O1FOLGX5GWRT89PVK/2M2A9996.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449602123380-IKAWO6MPV40JXDWSCEUH/2M2A9702.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1450554139160-7O3AUYMP06NG6RQA7LB5/5c7d99d2gw1ewr03rnu2dj21dd1bvhdu.jpg The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601364589-R67HMGK2WO0IAK68FL0U/k3241ps.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601068098-ISMQUQNCG430QHCZ49YW/2M2A9749.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449600985775-DYC8MF39CZB04XN9VCN4/2M2A1947.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601797212-VHV9LFQD83VMKTBDF1VH/2M2A2264.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601087955-4IGXCUDCTN70JR6FDIBL/k3130%E5%89%AF%E6%9C%AC.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449600818627-IHEB5N123J3GK7DCZN2P/2M2A1497.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449602218128-FYT5550GOOUVWPR9CNLD/k3131.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449600980479-7YYHKOD1JUSSHPUO9TJ5/2M2A1661.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601826721-7HKH2SUEX0EGP3OQC94A/2M2A1923.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601050972-EWNRJFMREP23MKSMHPDU/5c7d99d2gw1ewqw6y75cmj217o18gap1.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601573000-IJ4V1DCTES65XZV2TKBZ/2M2A1536.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449600838730-G06MQ5MIMIRV2DSOGJDC/2M2A1631.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601537216-7B963LS94RUNXU7BNYBO/2M2A1012.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449618113747-CFGUG05K9BC6960AQXHA/k3203.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601990693-AE6X0DVGTBJZFJL8CSDK/2M2A2899.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1452129827231-9HH8B2I911ZW0F53OEJJ/2M2A2887.png The timeless Trans-Siberian Railway https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1449601744543-JHP4QQT8X9RNU1SK1NWC/2M2A1835.png The timeless Trans-Siberian Railway http://yinyunya.com/puberty-of-deauville daily 0.75 2022-07-25 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069006456-ZIU3TDVFIBOYXU9DY0HO/12.png 忧郁的诺曼底 Imaginary Adolescence - Residency  |  Planches Contact, Yunya Yin, Deauvllie,France, July 2016 Imaginary Adolescence, finds a space in which to explore the boundaries between fact and fiction in documentary photography. Yin explores the unreal quality of life on the cusp of adulthood; the intensity, the nonchalance, the sense of anticipation. to make vivid this condition, Yin uses colour to inject drama into the images. The gap between reality and fantasy allows for free play of the imagination, and, a sense of the unexpected pleasures of being suspended in a particular age. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069006456-ZIU3TDVFIBOYXU9DY0HO/12.png 忧郁的诺曼底 Imaginary Adolescence - Residency  |  Planches Contact, Yunya Yin, Deauvllie,France, July 2016 Imaginary Adolescence, finds a space in which to explore the boundaries between fact and fiction in documentary photography. Yin explores the unreal quality of life on the cusp of adulthood; the intensity, the nonchalance, the sense of anticipation. to make vivid this condition, Yin uses colour to inject drama into the images. The gap between reality and fantasy allows for free play of the imagination, and, a sense of the unexpected pleasures of being suspended in a particular age. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069043376-UROHJ22159E7CLXFU2F0/_M2A0651.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1479017143541-MJYLCKQEW070UGEA7DS4/Imaginary+adolescence3.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071796664-5JTLGP36KD1JZUH9SDYJ/_M2A9896.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477407306794-W6O0BLYM6OEB0AKZMR2B/4.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477407319813-8JI3Q0VFHLVJQ6TI5TNP/_M2A0706.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069096000-9ROCNKK22ZPFCPW5N0WU/2m.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069128085-COWOUMCYT73CYJXDZ940/_M2A0539.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069054695-LABX1HJVIO9RBF8WIY15/_M2A0368b.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069063118-G7MC65F4CBDWVM0WVMHK/_M2A1207.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069150418-A2PHT0ITNH1M9ZO6RQGP/_M2A1538.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069172529-0IEPWSWLJ1Q0HE7B22E7/_M2A0702.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069183326-J8S5LL2FDW88NE5KNLS6/_M2A1386n.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069192538-FZ3F5LHPA4PULN3300RJ/_M2A0631.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071031654-NINV0I9JISCQ7UNMAW76/040.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071045428-9GW7OL9RVMJYWS8GPR2Z/_M2A2341.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1478791630198-C6L6XYNLJKKB472MT7WW/_M2A1344.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1478791629445-2675TYMRP9JROIHJXC7C/_M2A06512.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069198300-0YAW0E3LBYDHDJZVONL1/_M2A1675.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071085119-3XJYDHPFW7QFAV2RMC2Y/_M2A2397.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071095203-VK7SGTNLOD1FOLG4ZBP3/_M2A1169.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071123985-8CORXEO0678EZDSPDYNY/_M2A0199.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071142822-IQDQGUQ3URFE58TX20NR/_M2A0541.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071105247-1RWR2W93SOCJRX58Y8MJ/_M2A2357-2.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477071116170-VMS54QZYNWDJ9YQC6G9W/_M2A2379.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1591783642891-ZSY3KUDYS0JM71AS6KAR/_M2A97382.jpg 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069137279-RVNXH5IAZJ0QM9W585GB/8.png 忧郁的诺曼底 Imaginary Adolescence https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1477069143076-139N22IVOA4LD0DGMBJ5/_M2A0622.png 忧郁的诺曼底 Imaginary Adolescence http://yinyunya.com/the-gate daily 0.75 2024-03-27 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1660461107773-1RVF0CRDCJRGKBWR3HED/image-asset.jpeg 門 The Gate - 《門 I》摄影五联画 “The Gate I”，Photography pentaptych,2018-2022, 160cmx 600cm Ed.2. 2020-2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1660461107773-1RVF0CRDCJRGKBWR3HED/image-asset.jpeg 門 The Gate - 《門 I》摄影五联画 “The Gate I”，Photography pentaptych,2018-2022, 160cmx 600cm Ed.2. 2020-2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1711527827519-S30B28EE8XV4AL61Q4KT/%E6%88%AA%E5%B1%8F2024-03-27+16.22.55.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661013068994-UOVY7IICPYCOK61T0NWT/%E6%88%AA%E5%B1%8F2022-08-19+%E4%B8%8A%E5%8D%8812.37.35.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1660752361350-ZQVA3D1DGG29XD8DP1EQ/%E9%96%8003.jpg 門 The Gate - 《門 III 》摄影五联画 “The Gate III”，Photography pentaptych,2020-2022, 160cmx 600cm Ed.2. 2018-2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1662018928003-R6VXLU2HYWMP0AJQHPWI/nights.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1662018927523-6IF0H3GS0QAP3VBEBPRP/%E6%97%A0%E8%8A%B1%E6%9E%9C.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1662022914601-QTGBJFNFR0Z5JHVDGA8C/hair.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1662018929050-I1QASBDZGR5UD2OKUPB5/%E5%88%BA%E7%8C%AC.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1660838380617-09SERDNCP62HEO3XZ9G0/%E9%96%80+%E5%9B%BE%E5%83%8F1+008.jpg 門 The Gate - 《門 IV 》摄影五联画 “The Gate IV”，Photography pentaptych,2020-2022, 160cmx 600cm Ed.2. 2018-2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661096396590-TFC4Q2T5CZJXV1VEMQ4L/%E9%96%80fig+man+.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1660752531833-73Z6321HW28CQ63S4GSA/%E9%96%802..jpg 門 The Gate - 《門 II》摄影五联画 “The Gate II”，Photography pentaptych,2018-2022, 160cmx 600cm Ed.2. 2020-2022 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661155895848-NIAVIR45YIUFXYFUKZ96/%E9%96%80+tree%E5%89%AF%E6%9C%AC.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661162431905-FINAY5ZXHZ4AARSDC70W/%E5%88%BA%E7%8C%ACWechatIMG7529s%E5%89%AF%E6%9C%AC.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661180505873-DO7Z6106EX7ZVSIR2IGP/%E9%96%80+bee.+ss.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658331972673-YB8A01DZFOMXJ9K6VJRC/%E9%97%A81.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658335964708-YLQWBU98F3LMKOJO5CO1/%E9%97%A82.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1647268922409-6UQJRL9XJI884Q9ZB77R/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7+2022-02-22+17.28.12.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1647268992605-M8WXRFU6SONRZMVCG1KY/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7+2022-02-22+17.26.40.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658331966001-QADZIRDL0AXI5XVQAM4O/%E9%97%A84.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658331987482-4TFXHPSLOD1YKJ9AXT93/%E9%97%A85.png 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658332827941-432XWUKZD97MIQRIHG9H/B0005357.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658332768320-8MY4VE5Y3VOR660FN034/B0004990.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658332969723-BJ0XH3KL7VHGFL5HDWJO/B0004987.spng.png 門 The Gate https://static1.squarespace.com/static/5660c41fe4b0ff01bbf5c81d/622f515d986537013ac393da/622f516649af381ac1dcd8d2/1647268198237/ 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1661180495337-YUM2P79S48KJ8R9WWJIO/%E9%96%80+bee.+ss.jpg 門 The Gate https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1647269077358-4KP21TABXWZVNFED9HGK/%E5%B1%8F%E5%B9%95%E5%BF%AB%E7%85%A7+2022-02-22+17.26.12.png 門 The Gate http://yinyunya.com/the-portrait-waterfall daily 0.75 2024-05-30 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658929676403-RU90Z4CJ1OG2FNKQS52F/%E5%9B%BE%E7%89%871.png The Portrait: Waterfall - 自得破知见 Common Portrait: Waterfall, Photography&Rubbing Cottage,200cm x 450cm, 2021 某一日我望瀑布，其起于河流，止于河流： 河水遇鸿沟，化作数单一的水体，脱离，下坠，触碰，回归河流， 随水流淌某日成为另一处瀑布。 某一日我读《老子》，人始于天地，归于天地： 在此之间，脱离，生长，交合，回归天地， 而不同于河，人擅用其光，复归于明，生之不息。该作品将被解构的瀑布之影像，拓片之残像重新组合，在瀑布的头尾影像之间，留出空间以金刚经文拓片填充。当理解其中应无所住，而生其心后，瀑布从有限成为无限，来去之间的意义正是答案。 注释：老子《天下有始》有言：用其光复归其明，无遗身殃，是为袭常。其认为“复”是整个生命由生向灭的过程，即由万物并作开始，到各自归根完成整个“复”的过程，周而复始、循环往复。该作品中借瀑布之相，以其具之表象喻生之抽象，在其起和止之间，并置以汇集智慧的金刚经文拓片。以人生不妄视听言之内在自得，破外在越度生止之知见。 One day watching the waterfall, which started in the river and ended in the river: When the river flow to the gap, it turns into a single drops, detaching, falling, touching, returning to the river One day I reading "Lao Tzu", man begins in heaven and earth and returns to heaven and earth:In between, detaching, growth, communicating, returning to heaven and earth, just as drops in waterfall of a river. This work reassembles the deconstructed images of the waterfall and the rubbings of stone carving of vajra scriptures. Lao tzu believed that "recovery" is the process of the whole life from birth to death, that is, from the beginning of the creation of all things, to the completion of the whole "recovery" process, which is part of samsara. The work try to describe a understanding of life: the images of the start and end of waterfall is used to hint the process of physiological life, with juxtaposed a rubbing of the stone Diamond Sutra symbolized spirit existence. Note: Lao Tzu's "Chapter 52" : use the light.revert to enlightenment and thereby avoid danger to one's life, this is called practicing the eternal. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658929676403-RU90Z4CJ1OG2FNKQS52F/%E5%9B%BE%E7%89%871.png The Portrait: Waterfall - 自得破知见 Common Portrait: Waterfall, Photography&Rubbing Cottage,200cm x 450cm, 2021 某一日我望瀑布，其起于河流，止于河流： 河水遇鸿沟，化作数单一的水体，脱离，下坠，触碰，回归河流， 随水流淌某日成为另一处瀑布。 某一日我读《老子》，人始于天地，归于天地： 在此之间，脱离，生长，交合，回归天地， 而不同于河，人擅用其光，复归于明，生之不息。该作品将被解构的瀑布之影像，拓片之残像重新组合，在瀑布的头尾影像之间，留出空间以金刚经文拓片填充。当理解其中应无所住，而生其心后，瀑布从有限成为无限，来去之间的意义正是答案。 注释：老子《天下有始》有言：用其光复归其明，无遗身殃，是为袭常。其认为“复”是整个生命由生向灭的过程，即由万物并作开始，到各自归根完成整个“复”的过程，周而复始、循环往复。该作品中借瀑布之相，以其具之表象喻生之抽象，在其起和止之间，并置以汇集智慧的金刚经文拓片。以人生不妄视听言之内在自得，破外在越度生止之知见。 One day watching the waterfall, which started in the river and ended in the river: When the river flow to the gap, it turns into a single drops, detaching, falling, touching, returning to the river One day I reading "Lao Tzu", man begins in heaven and earth and returns to heaven and earth:In between, detaching, growth, communicating, returning to heaven and earth, just as drops in waterfall of a river. This work reassembles the deconstructed images of the waterfall and the rubbings of stone carving of vajra scriptures. Lao tzu believed that "recovery" is the process of the whole life from birth to death, that is, from the beginning of the creation of all things, to the completion of the whole "recovery" process, which is part of samsara. The work try to describe a understanding of life: the images of the start and end of waterfall is used to hint the process of physiological life, with juxtaposed a rubbing of the stone Diamond Sutra symbolized spirit existence. Note: Lao Tzu's "Chapter 52" : use the light.revert to enlightenment and thereby avoid danger to one's life, this is called practicing the eternal. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658929134481-G68WZ60RFVIOEDKSLILR/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%811.jpg The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658928361016-Q5XZG2PT82XEO1WO0BQ8/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%812.jpg The Portrait: Waterfall https://static1.squarespace.com/static/5660c41fe4b0ff01bbf5c81d/62d82e65cfa48041ceadf59e/62d82ea4ce19d53ab57bab05/1658334884662/ The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658929385899-W1JDNJ8FNND84R1VK8PX/B0004991s.jpg The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1685372533918-YQ2A9CX2TM6B7CU4LWS3/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%811.png The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1685372534502-WVC58OQMYJEBXY05WRP8/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%812.png The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1685372536675-MQC3SCF3RYB9HVHA50WW/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%813.png The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1685372107667-X6AAMBCTYKK7NDK1U9UW/B0005388.jpg The Portrait: Waterfall https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658928363165-XGM2YG8TWP6JOE0V8SBO/%E8%87%AA%E5%BE%97%E7%A0%B4%E7%9F%A5%E8%A7%813.jpg The Portrait: Waterfall http://yinyunya.com/untied-boat daily 0.75 2025-06-22 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1719782616916-82VNXYC50HYWLTCXTRBN/%E4%B8%8D%E7%B3%BB%E4%B9%8B%E8%88%9FUntied+Boat%E4%B8%89%E5%BD%B1%E5%A0%82Three+shadows_02.png Untied Boat 不系之舟 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https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1719782584698-S1D4HK85GII1TS8DPZTP/%E5%B0%B9%E9%9F%B5%E9%9B%85-%E6%BD%AE%E9%97%B4%E5%B8%A6Intertidal+Zone%3AChengdu+Contemporary+Image+Museum_01.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684080883603-Q33NIMLJN3LEGZMRK8S8/%E7%9F%9B%E7%9B%BE.jpg Between the tides 潮间带 - Contradiction:spear and shield. Installation, Material:Ox Horn,Deaurata shell, Micalex, Marble.Variable Size.2023 角是牛的武器 壳是贝的盔甲 这根“矛”与这块“盾”，在它们肉身的时间之外留存了下来。 将收集的牛角与贝壳链接到没有生命的石块之上，延续一个长久的矛盾。 Horns, weapons of bovine kind, Shells, the armor that they find, These "spear" and "shield", so well designed, Endure beyond flesh, agelessly refined. Linking horns and shells to stone, An act that makes the mind bemoan, Perpetuating a paradox, a confusion-prone, That endures through ages, to be shown. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684080870795-1JCIRD59HGCA49RVY1CN/%E7%9B%BE.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684080891270-N6PDI1TKB84BOEAHNN03/%E7%9F%9B.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684080900754-LQW6XC5VQXZP43L9CYN3/2s.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684080898338-2DDTYCHX4CE78UN0WYAF/B0010286s.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684067338971-9PBSMB9PCXG77IHVUBQ4/5.5.JPG Between the tides 潮间带 - River of Nostalgia. Installation,Material:Positive File, recycled glass,bulb,Variable Size,2023. 随着城市优化与扩张，此处愈发繁荣 随着城市优化与扩张，乡愁愈发稀薄 在瞬息万变之中，唯有抽象的回忆，才能让故居鲜活 这些图像来城市边缘自正在或者等待被建设的地带 这些地带中脏乱的一切以及生活的印迹 就像破玻璃一样被敲碎，融化，再造成崭新的 美丽的新楼即将出现，陈旧的乡愁随它去罢 As the city thrives with urban expansion and progress, we bid farewell to the old house over and over again. Only abstract recollections can keep these old homes alive. These images capture the fringes where old structures and the traces of the lives of those who inhabit the space will soon give way to new structures. As we marvel at the beauty of new, grander buildings, where does the intangible feeling of nostalgia go? https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684068106198-315S9AAU00YI2PJFZ7XW/DSCF7990.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684069090277-SBJQZCS2D3JB6RQX2M5P/DSCF8110.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684068491587-TUSFZ1DTFW7B22003GN2/DSCF7957.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684067363590-QSFN7LT087WPMZ3UYAV4/5.10.JPG Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1718917122769-5J1WKI6F7DCTQHOGA25A/%E7%AC%AC6%E9%A1%B5-5.PNG Between the tides 潮间带 - 徊 If it is Everlasting. Single Channel Video， 23m08s， 2021 In this work, water flows backward, and the submerged figure struggles to adapt to its inverted currents. The artist instructed the dancer to perform movements in reverse—a choreographic constraint that amplifies the physical resistance of moving through water. These ephemeral gestures generate an anti-gravitational illusion, subverting natural order and reconfiguring the relationship between the human and the waterfall. The subject cycles in and out of the frame in a deliberate erosion of linear time. The echoing drip of stalactites suggests an unseen cavern, immersing the viewer in a darkness where vision falters. Here, visual illusion becomes the sole conduit for the impossible: a waterfall defying its own nature. Through this inversion, the video invites a meditation on eternity—re-examining the mutable dynamics of human-environment relations: our interventions, our ruptures, and ultimately, our precarious adaptations. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684062287955-RSMZDI9D4CWD0CTY86HN/2Q5A3015.png Between the tides 潮间带 - SHELTER.Installation, Material：Blue Mytilidae Shell, Haliotis asinina shell, Oncomelania shell,Mirror,Variable Size.2021 在这件作品中，贝壳隐喻着人类、社会、系统、权力或世界上存在其他事物的由于内在脆弱性而延伸出的“自我保护”行为。“外壳”表明其中有脆弱的存在。展览邀请观众踩碎贝壳，感受保护壳的易碎以及破坏贝壳过程中的自我力量，并亲身体验脆弱。当观众走向展览尽头的贝壳时，他们可以通过另一个独立的贝壳内的镜子内照见自己的影像。 In this work, the shells serve as metaphors of the fragility of humans, societies, systems, power, or anything with a "Self-protection" behavior due to it‘s inherent vulnerability in our world. A shell indicates the presence of a fragile being within it. The weaker the being, the bigger the need for a shelter. Viewers are invited to stomp on the shells in the exhibition in order to feel the delicateness of the shells, and the power of be as a saboteur. As the viewers move towards A shell in the end of the work, they can catch a glimpse of themselves via the mirror within the shell: a direct reflection of theirselves.” https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684063654783-FKY6YB0N1NTYG4OXOAZL/DSCF8209s.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684063647623-0CGKM4RXG1V4CXNOUQK8/1s.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684063692332-JSNCDEIJDOPAQ8KC8KET/B0010180s.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684063691171-I2PQI6UDAQSINOM03QM6/2Q5A3814s.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684062664636-7H3QES97EFE5WR1TTMYA/B0010219.SRC.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1701100698651-ZQKN40ITEW3D95BS2FZV/DSCF8216p+%281%29.png Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684084251077-HUSEWHDOFEW493NI1HE4/DSCF8125.JPG Between the tides 潮间带 - So what about tomorrow, where are you going? Photogtaphy diptych,Poem. 120cmX90cm X 2.2021 “那么明天的你，将去往何方？”人们问她。 “那么明天的你，将去往何方？”她问自己。 “那么明天的你，将去往何方？”人们问他。 “那么明天的你，将去往何方？”他也问自己。 "So what about tomorrow, where are you going?" People inquire. "So what about tomorrow, where are you going?" She internally does enquire. "So what about tomorrow, where are you going?" People inquire. "So what about tomorrow, where are you going?" He internally does enquire. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684083568735-HRT5EUA7QF5TZF6VLUAU/DSCF8129.JPG Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684083583067-DHT4C8ZOALZ95B3YT0QM/DSCF8127.JPG Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684074330089-7EUAEMQ984B4459I478Z/4s.jpg Between the tides 潮间带 - Limited steps Unlimited view. Photograph,180cmX120cm,2023. 如果不能走得更远，便从更高处看Limited Steps Unlimited View 2023 在孤岛中的二人，从而离开过这里脚下有限的土地，便是全部。四周则是荒蛮和山峦。直到。他用身体将她载起，她的目光得以越过山峦，竟看到了，远处有一个，或许能够实现的梦。 The two of them on the isolated island,and thus left here.The limited land under their feet,is all. Surrounded by wilderness and mountains.Until he carried her with his body, she was able to look over the mountains and actually saw,in the distance,there was a dream that might come true. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750603614146-DI1DNSHROWR17VLN5HED/%E5%9B%BE%E7%89%875.png Between the tides 潮间带 “Limited steps, Unlimited view”,Photography,135* 80cm, 2023 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684074962198-ZS7BCFEDD1VU0TZWKDA2/DSCF7941.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684074963953-6LHFUC4MWOI13KUI3240/DSCF7942.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684082954270-OHG8P9TM1DV1HFHAYFBT/7-10.jpg Between the tides 潮间带 - Celebrate today as you did yesterday,Photography Triptych,Text. 100cmX80cm X6.2022 “小城的乡村，美丽且自由，在这里，可以放风筝，也可以放烟花，首先，要面对这里的残酷与野生。” Beautiful and freedom,While Under an Uneasy Place “今天， 像昨天一样庆祝 Celebrate today as you did yesterday ”摄影三联Triptych Photography， 75cm x 300cm， 2023 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684082955237-WEMZB0P5TKYWJM83YMTD/DSCF7883.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684074965528-4TSHY9MUP3825V7KSPAL/DSCF7946.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684083321192-H0IWEMV2X7FCVPCV2B6Y/%E4%BB%8A%E5%A4%A9%EF%BC%8C%E5%83%8F%E6%98%A8%E5%A4%A9%E4%B8%80%E6%A0%B7%E5%BA%86%E7%A5%9D-%E6%94%BE%E9%A3%8E%E7%AD%9D3%E7%B1%B3.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684083320953-6H2NBGXFIGOS5FYU9RC8/%E4%BB%8A%E5%A4%A9%EF%BC%8C%E5%83%8F%E6%98%A8%E5%A4%A9%E4%B8%80%E6%A0%B7%E5%BA%86%E7%A5%9D-%E6%94%BE%E7%83%9F%E8%8A%B1.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684084894933-L58DL84APUBLL2JGL6TE/6s.1.jpg Between the tides 潮间带 - Acclimation,Photography,160cmX120cm,2022 当被要求一致时，个人如何面对自身的不同？ 如何回应这种本就存在差异？ 如何审视个体与集体的关系？ 不同身高的人以不同程度的变化身体，达到一样的高度标准。 How do individuals confront their differences when asked to be consistent? How to respond to this inherent difference? How to examine the relationship between the individual and the collective? People of different heights change their bodies to different degrees, To meet the standard, all conform. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684084717225-OO8SO3RFCVUXFAVFAJWY/%E9%80%82%E5%BA%94%EF%BC%88s%E6%97%A0%E7%BA%B9%E8%BA%AB%EF%BC%89160cmx120cm.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658308534975-1X7SWZQ594V7IKF01Z1G/.jpg Between the tides 潮间带 - Houses, Installation,Material：Acorn Barnacle Shells,Recycled construction searchlight,40cmx40cmx30cm,2022 发展中国家城市化中迁徙的地区青年们，为了能以拥有一所房屋的方式定居在陌生的城市，终身为之奋斗。某种程度上或许与藤壶一样：从随波逐浪的浮游生物到无法移动栖岩而居的甲壳动物，是一种选择。生命之后留下了空荡的房子。 该装置以藤壶壳与回收的房屋建筑用照明灯组合而成，夜晚工地的光线穿过已经消亡的藤壶的空壳。借此引出消费主义与资本主义下个体生存痕迹中自由，迁徙与安全感之间矛盾的思考。 HOUSES Driven by the competition for economic progress, cities are developing at an unprecedented speed and houses are being constructed every day. Despite a housing oversupply, younger generations are struggling to achieve home ownership. A home isn’t just a home; its not easy to describe its significance. It’s the foundation of marriage, it’s the source of security, it’s one’s formal integration into the society, and more – to the extent that one is willing to make lots of sacrifice and becomes a “slave” to a house. This body of work features barnacle shells. Like the younger generations, barncles trade their freedom for security. Young barnacles once swimmed freely in the water as Nauplius and as they grow, they seek out suitable spots and cement themselves permanently to the substrate with another proteinaceous compound and become an immovable arthropod for the rest of their lives. To survive, they use their feathery legs (cirri) to capture plankton and construct their “houses”(shells). Albeit, they cannot escape fate and generation after generation, only their empty "houses" are left after they pass on. The installation is made using barnacle shells and recycled construction searchlights – once the former “houses” of the barnacles, the shells are now empty and the shadows cast by the searchlights prompt the viewers to think about the balance between freedom and security. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1685983289766-1C4TGVF6UY8NO25MF4Q7/DSCF7819.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658329172263-22S86842Q4IQMZWM25IV/B0005179ss.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1658308538946-8WHHDSYB1YJPHY5GJT2X/B0005116s.jpg Between the tides 潮间带 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1684063691171-I2PQI6UDAQSINOM03QM6/2Q5A3814s.png Between the tides 潮间带 http://yinyunya.com/what-can-i-hold-you-with daily 0.75 2025-10-17 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750599634515-JC5OQPQKGRPJMVFVIQWR/001.jpg What can I Hold you with? 《用什么才能留住你》取自博尔赫斯之诗歌，作品中的材料未别为艺术家收藏的巨型珠母贝和宝丽来大尺幅相纸，这两种材料皆是稀少的。艺术家邀请舞蹈演员表演一段“爱情故事”并用大画幅宝丽来即时显影胶片拍摄下来，再将相纸中的图像以手工移膜的方式呈现在珠母贝上。在这个过程中，脆弱的相纸药膜被锋利的贝壳边缘割破，图像出现不同程度的破损。希望以此提示事态内部存在的不可避免的消逝与事态外部的某种永存之间的关系。 "What can I hold You with" takes its title from a poem by Borges. The work employs two rare materials: a giant pearl oyster shell from the artist’s collection and large-format Polaroid instant film. The artist invited dancers to perform a "love story," capturing it on the Polaroid film, then manually transferring the developed image onto the shell’s iridescent surface. During this process, the fragile photo emulsion was torn by the shell’s sharp edges, leaving the image partially fractured—a metaphor for the inevitable decay inherent in all things, contrasted with the external permanence they may assume. 材料： 大珠母贝壳：一种可以产生珍珠的软体海洋生物外部骨骼，其作用在于保护内部的弱软身体，主要分布于印度洋和南太平洋沿海。在软体动物死亡后，外壳依旧光彩夺目，可以存在数万年。 宝丽来相纸：带有感光药膜的显影材料，其特性是拍摄完可以在短时间内完成其自带的光-化学反应系统，形成一张实物照片，由于昂贵的材料成本和操作的复杂性，被电子摄影产品替代，已趋近停产。Materials: Matreials: Giant Pearl Oyster Shell: The calcified exoskeleton of a mollusk capable of producing pearls, serving as armor for its vulnerable inner body. Native to the coastal waters of the Indian and South Pacific Oceans, the shell retains its luminous brilliance long after the organism’s death, enduring for millennia. Polaroid Film: A light-sensitive, self-developing material that completes its photochemical reaction moments after exposure, yielding a tangible photograph. Once revolutionary, it now nears obsolescence—supplanted by digital imaging—its production dwindling due to prohibitive costs and technical complexity. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750599634515-JC5OQPQKGRPJMVFVIQWR/001.jpg What can I Hold you with? 《用什么才能留住你》取自博尔赫斯之诗歌，作品中的材料未别为艺术家收藏的巨型珠母贝和宝丽来大尺幅相纸，这两种材料皆是稀少的。艺术家邀请舞蹈演员表演一段“爱情故事”并用大画幅宝丽来即时显影胶片拍摄下来，再将相纸中的图像以手工移膜的方式呈现在珠母贝上。在这个过程中，脆弱的相纸药膜被锋利的贝壳边缘割破，图像出现不同程度的破损。希望以此提示事态内部存在的不可避免的消逝与事态外部的某种永存之间的关系。 "What can I hold You with" takes its title from a poem by Borges. The work employs two rare materials: a giant pearl oyster shell from the artist’s collection and large-format Polaroid instant film. The artist invited dancers to perform a "love story," capturing it on the Polaroid film, then manually transferring the developed image onto the shell’s iridescent surface. During this process, the fragile photo emulsion was torn by the shell’s sharp edges, leaving the image partially fractured—a metaphor for the inevitable decay inherent in all things, contrasted with the external permanence they may assume. 材料： 大珠母贝壳：一种可以产生珍珠的软体海洋生物外部骨骼，其作用在于保护内部的弱软身体，主要分布于印度洋和南太平洋沿海。在软体动物死亡后，外壳依旧光彩夺目，可以存在数万年。 宝丽来相纸：带有感光药膜的显影材料，其特性是拍摄完可以在短时间内完成其自带的光-化学反应系统，形成一张实物照片，由于昂贵的材料成本和操作的复杂性，被电子摄影产品替代，已趋近停产。Materials: Matreials: Giant Pearl Oyster Shell: The calcified exoskeleton of a mollusk capable of producing pearls, serving as armor for its vulnerable inner body. Native to the coastal waters of the Indian and South Pacific Oceans, the shell retains its luminous brilliance long after the organism’s death, enduring for millennia. Polaroid Film: A light-sensitive, self-developing material that completes its photochemical reaction moments after exposure, yielding a tangible photograph. Once revolutionary, it now nears obsolescence—supplanted by digital imaging—its production dwindling due to prohibitive costs and technical complexity. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760717041780-YIUJQLMYMN1JFG5G4C1Q/%E6%88%91%E7%94%A8%E4%BB%80%E4%B9%88%E6%89%8D%E8%83%BD%E7%95%99%E4%BD%8F%E4%BD%A0_%E5%89%AF%E6%9C%AC_01.jpg What can I Hold you with? https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750600035932-AA9KAFNQZH9KFJPB8X7Y/SD2DCIM103HASBLB0013769.JPG_thumbnail.png What can I Hold you with? what can I hold you with?No:001：Pinctada maximashell l, photo paper, lacquer 25(H)*25*6cm | with frame 60(H)*50*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750599617550-QHF0WK2K45AYKXSTN78P/05.jpg What can I Hold you with? what can I hold you with?No:005：Pinctada maximashell l, photo paper, lacquer 25(H)*25*6cm | with frame 60(H)*50*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750600100928-VG1LYHC2G5WU2F83AWD4/SD2DCIM103HASBLB0013777.JPG_thumbnail.jpg What can I Hold you with? https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750599668260-9QGU5U70A4C5RXVENUCL/006%3A1.png What can I Hold you with? what can I hold you with?No:001：Pinctada maximashell l, photo paper, lacquer 25(H)*25*6cm | with frame 60(H)*50*8cm，2025 http://yinyunya.com/shell-1 daily 0.75 2025-10-17 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750601291988-S1TIGHL0UOOU2FTS04FS/image-asset.png Shell 壳 壳 》系列中，艺术家将宝丽来即时显影胶片拍摄的照片，以手工移膜的方式，固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在，它一边生命提供着安全感，一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳，提示着对永恒与当下，轻与重，脆弱与顽固，自由与安全感等对立问题在人与社会之间的平衡的思考。 In this series, the artist fixed the Polaroid instant film photographes onto Pinctada maxima shell by Emulsion Lifts. As a protective shell, the shell is often exsited much long than their lives and their soft bodies. It is both life's shelter and its anchor of burden.. The image on soft film and the hard shell suggest the thinking of balance between eternity and the present, lightness and heaviness, fragility and stubbornness, freedom and security, etc. 《壳：昨日》贝壳，宝丽来即时显影胶片，漆，铝，整体116cm x88cm x8cm，2025 Shell:Yesterday：Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 88(H)*116*8cm,2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750601291988-S1TIGHL0UOOU2FTS04FS/image-asset.png Shell 壳 壳 》系列中，艺术家将宝丽来即时显影胶片拍摄的照片，以手工移膜的方式，固定在大珠母贝之上。作为保护壳的外壳往往远于生命体的存在，它一边生命提供着安全感，一边赋予之沉重。显影于柔软的相纸上的人物形象与坚硬的外壳，提示着对永恒与当下，轻与重，脆弱与顽固，自由与安全感等对立问题在人与社会之间的平衡的思考。 In this series, the artist fixed the Polaroid instant film photographes onto Pinctada maxima shell by Emulsion Lifts. As a protective shell, the shell is often exsited much long than their lives and their soft bodies. It is both life's shelter and its anchor of burden.. The image on soft film and the hard shell suggest the thinking of balance between eternity and the present, lightness and heaviness, fragility and stubbornness, freedom and security, etc. 《壳：昨日》贝壳，宝丽来即时显影胶片，漆，铝，整体116cm x88cm x8cm，2025 Shell:Yesterday：Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 88(H)*116*8cm,2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602530398-89K57IKNIDSI50GGA3I5/SD2DCIM103HASBLB0013792.JPG_thumbnail.jpg Shell 壳 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602573911-KYO4FXLNJ1ZRLIXR849K/%E5%9B%BE%E7%89%872.png Shell 壳 《壳：一次离别》贝壳，宝丽来即时显影胶片，漆，铝，整体112cm x82cm x8cm，2025 Shell:A farewell：Shell, photo paper, lacquer,Aluminum,15(H)*15*4cm (x 4 pieces) | with frame 82(H)*112*8cm,2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602530416-W2ICEUXSDBRX8134K9F1/SD2DCIM103HASBLB0013793.JPG_thumbnail.jpg Shell 壳 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602795531-JATA0U0LNJYM1JWUZOLI/%E5%B0%B9%E9%9F%B5%E9%9B%85+YIN+YUNYA_11.png Shell 壳 《幸福感》“幸福感（Sense of happiness）是指人类基于自身的满足感与安全感而主观产生的一系 列欣喜与愉悦的情绪。” 作品中的贝壳（shell of Hyotissa hyotis）粗糙且非常沉重，人物肖像以轻薄的感光乳剂膜的形式附作于贝壳内部，在此处被视为一种当下的存在。二者依然构建了坚硬与柔软，破坏与感全感等诸多看似对立的概念并存显现建立了矛盾的关系，试图通过贝壳作为一种普遍存在的保护机制来理解社会，以及其构建的安全感对幸福感的塑造。 In this work, the shell (shell of Hyotissa hyotis)—coarse and ponderous— portraits image rendered in emulsion, adhered to its interior as an embodiment of fleeting presence. Together, they try to manifest a dialectic of tensions: hardness and softness, rupture and reassurance, among other seemingly oppositional forces. Through the shell—a natural archetype of protection—the piece try to interrogates societal structures and the way constructed security shapes our very notion of happiness. https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602871422-H0UCPF3OO9VC9LFE2WOY/%E5%B9%B8%E7%A6%8F%E6%84%9F7.png Shell 壳 幸福感：手工移膜大画幅宝丽来于贝壳上，贝壳，相纸，矿物颜料，漆，20cm x 20cm x 8cm （共8件） ,2024 整体尺寸可变，2024 Sense of happiness：Hand made Large format Polaroid Emulsion Lifts onto the shell seashell, Film，Mineral Pigments，varnish, Variable overall dimensions，20(H)*20*10cm (x 8pieces) ,2024 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750602871446-WH5HMEA81DFX5AJRNC22/%E5%B9%B8%E7%A6%8F%E6%84%9F8.png Shell 壳 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750603142424-YNAA5A8V1M420KSZ987C/%E6%88%AA%E5%B1%8F2025-06-22+22.38.14.png Shell 壳 The Meditations:Youth Archives The work combines the shells with Polaroid paper via emulsion lift to construct a new way of image expression. In this series，The portraits on shells, like living on a fictitious "Noah's Ark", living in a free but fragile mental shelter. <The Meditations:Youth Archives>continues with portraits which the artist directorial photography of body performers on the waterside at countryside. The translucent images here stay in the shell, which Just like the precious emotion hiding in shelter of sensitive, beautiful,hard but fragile self-esteem in the youth. The Meditations:Youth Archives：Hand made Polaroid Emulsion Lifts onto the shell：photo paper, lacqxuer 15(H)*15*3cm (x 6 pieces) Variable overall dimensions,2024 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750603154894-WIOT170WP0V24Y1VE4QC/%E5%9B%BE%E7%89%873.png Shell 壳 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1750603168924-JBDX66NF8YQY3TZD18BK/%E5%9B%BE%E7%89%874.png Shell 壳 http://yinyunya.com/the-meditationsstrangers- daily 0.75 2025-09-22 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445803721-U7AUEFYP2ECCZT0VTH9C/1.png The Meditations：Strangers 异乡人 The Meditations：Strangers The shell, a shelter of hardened calcium carbonate, offers eternal protection to the soft body within—even outliving the life it once sheltered. The shell, a sturdy sanctuary of calcium carbonate, offers eternal protection to the soft body within—even outliving the very life it housed. Yet, its hardened surface also suggests fragility, the ever-present possibility of rupture. As note in the book Conchophilia: Shells, Art, and Curiosity in Early Modern Europe, shells are “fragments of a prior existence, architectural relics that endure longer than their makers.” On another level, the seashell—once a natural object—was alienated by early global capital into an instrument of exploitation. Used as currency in ancient China and beyond, it became a key commodity within the trade routes and colonial networks of the Age of Exploration. Shells were deployed as money to purchase slaves, or harvested and transported by enslaved hands to European collectors. Ultimately, this system collapsed under the pressure of modern capitalist monetary structures, leaving the shell a material witness—distorted, utilized, and finally discarded by capital.Thus, the shell serves both as a mollusk’s “shelter” and as a symbol of colonialism and early capitalism. This duality is embedded within the object: a fragile protective shell and a exiles once alienated by capital. In this series, the artist from a close perspective, using large-format Polaroids to capture individuals who have migrated for work, then manually transferring these images onto vast mother-of-pearl shells. Under the mechanisms of capital, these shells are extracted from the ocean and transported to foreign lands, becoming “strangers on the Land.” Similarly, countless people are displaced by labor, becoming strangers in unfamiliar territories.By gazing upon the concealed states of these structurally silenced individuals—their confusion, vulnerability, and other emotions hidden within their “sanctuaries”—Try to figer out the unspoken individual dilemma beneath the rigid structure of an efficiency-oriented society. The Meditations:Stragers NO.1：Pinctada maximashell , Polaroid 8x10 Instant Film, lacquer 25(H)*25*6cm | with frame 68(H)*58*8cm，2024 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445803721-U7AUEFYP2ECCZT0VTH9C/1.png The Meditations：Strangers 异乡人 The Meditations：Strangers The shell, a shelter of hardened calcium carbonate, offers eternal protection to the soft body within—even outliving the life it once sheltered. The shell, a sturdy sanctuary of calcium carbonate, offers eternal protection to the soft body within—even outliving the very life it housed. Yet, its hardened surface also suggests fragility, the ever-present possibility of rupture. As note in the book Conchophilia: Shells, Art, and Curiosity in Early Modern Europe, shells are “fragments of a prior existence, architectural relics that endure longer than their makers.” On another level, the seashell—once a natural object—was alienated by early global capital into an instrument of exploitation. Used as currency in ancient China and beyond, it became a key commodity within the trade routes and colonial networks of the Age of Exploration. Shells were deployed as money to purchase slaves, or harvested and transported by enslaved hands to European collectors. Ultimately, this system collapsed under the pressure of modern capitalist monetary structures, leaving the shell a material witness—distorted, utilized, and finally discarded by capital.Thus, the shell serves both as a mollusk’s “shelter” and as a symbol of colonialism and early capitalism. This duality is embedded within the object: a fragile protective shell and a exiles once alienated by capital. In this series, the artist from a close perspective, using large-format Polaroids to capture individuals who have migrated for work, then manually transferring these images onto vast mother-of-pearl shells. Under the mechanisms of capital, these shells are extracted from the ocean and transported to foreign lands, becoming “strangers on the Land.” Similarly, countless people are displaced by labor, becoming strangers in unfamiliar territories.By gazing upon the concealed states of these structurally silenced individuals—their confusion, vulnerability, and other emotions hidden within their “sanctuaries”—Try to figer out the unspoken individual dilemma beneath the rigid structure of an efficiency-oriented society. The Meditations:Stragers NO.1：Pinctada maximashell , Polaroid 8x10 Instant Film, lacquer 25(H)*25*6cm | with frame 68(H)*58*8cm，2024 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445806868-1QO9SAQP4ZMF64O4UZA3/2.png The Meditations：Strangers 异乡人 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445816354-7W5W9GONQUU9XT22HZW8/%E6%88%AA%E5%B1%8F2025-09-21+17.08.10.png The Meditations：Strangers 异乡人 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445827147-8S0UP6V7M4W88ROMW11Z/3png.png The Meditations：Strangers 异乡人 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758446051544-NFQZWHV3XOKTPFN93BTP/%E6%88%AA%E5%B1%8F2025-09-21+17.09.47.png The Meditations：Strangers 异乡人 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1758445830207-AN56GO2ET5WS7LWBWYO8/5.png The Meditations：Strangers 异乡人 http://yinyunya.com/distant-bloodline daily 0.75 2025-10-23 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760873674073-MSF1EMQLDQJUECF25PTV/B00144280.jpg Distant bloodline 表亲 《表亲 No.005》：贝壳，宝丽来即时显影胶片，漆，铝整体88(H)cmx116cmx8cm，2025 Distant Bloodline No.005：Shell, photo paper, |with frame88(H)*116*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718663853-XB5RLPX05EBMS1OD8IDR/%E5%9B%BE%E7%89%874.png Distant bloodline 表亲 - 表亲 Distant bloodline “Distant bloodline” emerges from a contemplation on kinship within China’s unique historical context. Under the one-child policy, the generations of the 80s and 90s were nearly devoid of biological siblings, replaced instead by a multitude of “cousins.” This generation lives in the fissures of blood ties, where kinship exists only on the surface, beneath which lies the reflection of the self.In the Distant bloodline series, the shell serves as both a metaphor for the spiritual “exterior” and a symbol of the insurmountable barriers between individuals. The series continues the artist's distinctive use of media: the iconography of portraits on Polaroid film juxtaposed with the materiality of shells as image carriers, creating a subtle tension between light and weight, the fleeting and the eternal, the past and the future. 《表亲》源自对中国特殊历史背景下亲缘关系的思考，独生子女政策下，八零九零后这两代人几乎没有亲生的兄弟姐妹们，取代之的是众多的“表亲”。 这一代人生活在血缘的缝隙中，亲缘关系存在却表层，其下深藏的是自我的显影。在《表亲》系列中，贝壳亦是一个精神性“外壳”的隐喻，同时指涉了人与人之间不可逾越的壁垒。该系列延续了艺术家独特的媒介语言：宝丽来相纸上肖像的图像性与贝壳作为图像载体的物质性，隐喻性的构成了一个轻与重，瞬间与永恒，过去与未来的矛盾。 《表亲 No.001》：贝壳，宝丽来即时显影胶片，漆，铝整体84(H)cmx112cmx8cm，2025 Distant Bloodline No.001：Shell, photo paper, |with frame84(H)*112*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760873674073-MSF1EMQLDQJUECF25PTV/B00144280.jpg Distant bloodline 表亲 《表亲 No.005》：贝壳，宝丽来即时显影胶片，漆，铝整体88(H)cmx116cmx8cm，2025 Distant Bloodline No.005：Shell, photo paper, |with frame88(H)*116*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718113295-QVC2IDG451SI5DKV4MO6/%E5%9B%BE%E7%89%875.png Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760717553664-HUY2ELHD4TC5QRY3E7M4/%E5%9B%BE%E7%89%871.png Distant bloodline 表亲 《表亲 No.002》：贝壳，宝丽来即时显影胶片，漆，铝整体84(H)cmx112cmx8cm，2025 Distant Bloodline No.002：Shell, photo paper, |with frame84(H)*112*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718826506-GHI0DHDE1DC6O8NCMP5F/%E5%9B%BE%E7%89%872.png Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718824947-ZGMHU3X9SMFYPLVML0H9/%E5%9B%BE%E7%89%873.png Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718609401-B4UZFXPIUV2UDYFWVBP3/%E5%9B%BE%E7%89%876.png Distant bloodline 表亲 《表亲 No.004》：贝壳，宝丽来即时显影胶片，漆，铝整体88(H)cmx116cmx8cm，2025 Distant Bloodline No.004：Shell, photo paper, |with frame88(H)*116*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718748253-ZHJ83VSLKRGVJM9JFY2Q/%E5%9B%BE%E7%89%877.png Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760718749064-NUKEJW80VIF3ZCWHXWHP/%E5%9B%BE%E7%89%878.png Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760874140402-2LO79C4I92JV8PTE55W1/B00144280%E5%89%AF%E6%9C%AC.jpg Distant bloodline 表亲 《对未来的反省No.003》：贝壳，宝丽来即时显影胶片，漆，铝整体118cmx88cmx8cm，2025 Reflections on the Future No.003：Shell, flim, lacquer 88(H)*118*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760873638713-DFYEEYF7AGFQQ3KU0EH5/B0014444s.jpg Distant bloodline 表亲 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760873736118-1PV6NWE33HMBU2H5IIM6/B0014408_%E5%89%AF%E6%9C%AC1.jpg Distant bloodline 表亲 《对过去的憧憬 No.004》：贝壳，宝丽来即时显影胶片，漆，铝整体118cmx88cmx8cm，2025 A longing for the past No.004：Shell, flim, lacquer 88(H)*118*8cm，2025 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/1760873771037-YSTEYAQOP33MHPH7SKFV/B0014411s.jpg Distant bloodline 表亲 http://yinyunya.com/contact daily 0.75 2024-06-30 http://yinyunya.com/bio daily 0.75 2026-02-08 https://images.squarespace-cdn.com/content/v1/5660c41fe4b0ff01bbf5c81d/4249bfb5-9fce-4be0-89a2-d4cfec83247d/cd2641fbfca6192b8eefea07d7ade041.JPG Bio